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bebe le strange

bebe le strange

'Images -- millions of images -- that's what I eat' --William S. Burroughs


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-Following these tumblrs
-Tumblrs following me
November 16, 08
skinny dip via www.glufolio.co.ukskinny dip via www.glufolio.co.uk

skinny dip via www.glufolio.co.uk

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1970’s Advertising - Poster - Romeo and Juliet (Denmark), via  Pink Ponk1970’s Advertising - Poster - Romeo and Juliet (Denmark), via  Pink Ponk
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david cassidy is lurkingdavid cassidy is lurking

david cassidy is lurking

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Godzilla vs. Mothra (wat ze fark?)Godzilla vs. Mothra (wat ze fark?)

Godzilla vs. Mothra (wat ze fark?)

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dixie dugandixie dugan

dixie dugan

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hot mamas in the fire brigadehot mamas in the fire brigade

hot mamas in the fire brigade

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(via undream)
I’d like to punch Gay Edna(via undream)
I’d like to punch Gay Edna

(via undream)

I’d like to punch Gay Edna

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laura9:

Leia.
via
laura9:

Leia.
via

laura9:

Leia.

via

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1958 (via Miss Retro Modern)1958 (via Miss Retro Modern)

1958 (via Miss Retro Modern)

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paulprosseda:

lozzy:

littlesparrow:

carolynannahall: The Marilyn Files: The Letters She Wrote; via Vanity Fair
my favourite of them all.



my favorite toopaulprosseda:

lozzy:

littlesparrow:

carolynannahall: The Marilyn Files: The Letters She Wrote; via Vanity Fair
my favourite of them all.



my favorite too

paulprosseda:

lozzy:

littlesparrow:

carolynannahall: The Marilyn Files: The Letters She Wrote; via Vanity Fair

my favourite of them all.

my favorite too

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end of the road, 1964end of the road, 1964

end of the road, 1964

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hollywood & vine, ‘63 via www.shorpy.comhollywood & vine, ‘63 via www.shorpy.com

hollywood & vine, ‘63 via www.shorpy.com

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I...um...there are no words to describe this. »

krispayne:capucha: No, really, I can’t find any. :-D

JEALOUS?

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megbeme:

it’s funny how really simple things can completely kill the rest of your day or good mood.

don’t let it, my dear!

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Need some gin with thisNeed some gin with this

Need some gin with this

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via www.lipka.sevia www.lipka.se
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Örebro watertower Svampen, Sweden, early 1960s via blog.thirdphaze.comÖrebro watertower Svampen, Sweden, early 1960s via blog.thirdphaze.com

Örebro watertower Svampen, Sweden, early 1960s via blog.thirdphaze.com

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(via antoinetta)(via antoinetta)

(via antoinetta)

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[Flash 9 is required to listen to audio.]

chromatics - running up that hill (not as good as kate but better than placebo)

Play count: 89
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savingoldlitter:benhasten:Woody Allen, 1969 by Philippe Halsman


“Allen is surrounded by 8 adoring women, a painting of Humphrey Bogart on the wall behind them.”
via Carl Mautz Photography

savingoldlitter:benhasten:Woody Allen, 1969 by Philippe Halsman


“Allen is surrounded by 8 adoring women, a painting of Humphrey Bogart on the wall behind them.”
via Carl Mautz Photography

savingoldlitter:benhasten:Woody Allen, 1969 by Philippe Halsman

“Allen is surrounded by 8 adoring women, a painting of Humphrey Bogart on the wall behind them.”

via Carl Mautz Photography

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cakeface:
Changethethought™ | Joh Delcakeface:
Changethethought™ | Joh Del
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we’re not normal (via N A T A L E A)we’re not normal (via N A T A L E A)

we’re not normal (via N A T A L E A)

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suyhnc:
ShareSomeCandy: //suyhnc:
ShareSomeCandy: //
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www.sexypeople-blog.com/www.sexypeople-blog.com/
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debbipete:
via origamibears
debbipete:
via origamibears
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SEXY PEOPLE: Brothers in BrewSEXY PEOPLE: Brothers in Brew
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via ipaint.dkvia ipaint.dk

via ipaint.dk

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via www.itsnicethat.comvia www.itsnicethat.com
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florencio:tappy:twink:   четырестачетыре
hahaha


florencio:tappy:twink:   четырестачетыре
hahaha
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via i34.tinypic.comvia i34.tinypic.com
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lickystickypicky:lickystickypicky:
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inothernews:
Mr. President-Elect - eyes on Steve Kroft, please.inothernews:
Mr. President-Elect - eyes on Steve Kroft, please.

inothernews:

Mr. President-Elect - eyes on Steve Kroft, please.
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(via antoinetta)
get the led out(via antoinetta)
get the led out

(via antoinetta)

get the led out

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a Keef-a-day keeps the rain awaya Keef-a-day keeps the rain away

a Keef-a-day keeps the rain away

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from Kohei Yoshiyuki’s ‘The Park’ series (1970s) via www.yossimilogallery.comfrom Kohei Yoshiyuki’s ‘The Park’ series (1970s) via www.yossimilogallery.com

from Kohei Yoshiyuki’s ‘The Park’ series (1970s) via www.yossimilogallery.com

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and he does appear thrilled.and he does appear thrilled.

and he does appear thrilled.

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paulprosseda:

Wizard of Oz (CASTING DOROTHY) (via CliffmountPictures)
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paulprosseda:

you ARE, BLANCHE! you ARE! in. that. chair.

Joan Crawford INTERVIEW on BABY JANE (via CliffmountPictures)

“It’s wonderful to be a perfectionist” - so Joan

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On Sunday, May 24, 1964, English fireman Jim Templeton, of the Cumbrian Fire Service, in Carlisle, Cumberland, took his wife and five-year-old daughter Elizabeth on a picnic. He selected a nearby popular nature resort called the Burgh Marsh.
That day Jim noticed a feel of “electricity” in the air similar to that felt before a thunderstorm. Normally, sheep and cows would be grazing throughout the large meadow but he noticed they were all clustered together at the far end of the field as though fearful of something.
Aside from the three of them, the only other people in sight that day were two elderly women in a car about 400 yards away from their picnic spot. �When Elizabeth had gathered some flowers, Jim took the above photo of his smiling daughter.
Several days later, when Jim picked his film up from the local drugstore, the owner said “It’s a shame. Someone just ran into your best picture.” �”That’s impossible,” said Jim. “No one was there that afternoon.” However, upon inspection, one photo of his daughter clearly revealed a tall figure standing a short distance behind the five-year-old wearing what appears to be a white space suit and helmet.
Jim showed the picture to friends, co-workers, the police and finally Kodak. No one could explain it but Kodak asked permission to use it in an advertisement offering anyone who solved the mystery a lifelong supply of free film. No one had the solution. Tampering was ruled out as well after the negative was examined and proved not to be a double-exposure or some other image manipulation.
That same year, in Woomera, Australia, England began launching its new “Blue Streak Rockets.” During one of the launches, a strange event occurred. One of the technicians, while following launch preparations on a monitor, noticed two tall men in white spacesuits close to the launch tower. The countdown was immediately stopped and security searched the entire area but the two mystery figures were never found.
The Australian press, however, had recently published Jim Templeton’s photo of “The Cumbrian Spaceman,” the Australian technician had seen it, recognized a dramatic similarity and commented that “he looks like the boys I saw on the monitor.”
Interestingly, the Blue Streak Rockets being launched in Australia, where the two mystery spacemen were seen,were originally manufactured at a facility on Carlisle-Newcastle road back in England — in the immediate neighborhood of the Burgh Marsh where Jim Templeton had first unknowingly photographed “The Cumbrian Spaceman.”
While some people dismissed the photo as a fake, a few weeks after Jim’s picture was taken, two men in dark suits visited Mr. Templeton at work, claimed they were with “Her Majesty’s government” (but refused to show verifying credentials) and asked him to take them to the exact spot where the photograph was taken. Upon arriving at the original Burgh Marsh site, one of the men asked “And that’s where you saw the man?” “I didn’t SEE any man,” answered Jim. With that, the two men left immediately leaving Jim Templeton to walk the five miles back to his station house with more questions but no answers.

(Source: UFOs: The Secret History by Michael Hesemann)
via www.geocities.comOn Sunday, May 24, 1964, English fireman Jim Templeton, of the Cumbrian Fire Service, in Carlisle, Cumberland, took his wife and five-year-old daughter Elizabeth on a picnic. He selected a nearby popular nature resort called the Burgh Marsh.
That day Jim noticed a feel of “electricity” in the air similar to that felt before a thunderstorm. Normally, sheep and cows would be grazing throughout the large meadow but he noticed they were all clustered together at the far end of the field as though fearful of something.
Aside from the three of them, the only other people in sight that day were two elderly women in a car about 400 yards away from their picnic spot. �When Elizabeth had gathered some flowers, Jim took the above photo of his smiling daughter.
Several days later, when Jim picked his film up from the local drugstore, the owner said “It’s a shame. Someone just ran into your best picture.” �”That’s impossible,” said Jim. “No one was there that afternoon.” However, upon inspection, one photo of his daughter clearly revealed a tall figure standing a short distance behind the five-year-old wearing what appears to be a white space suit and helmet.
Jim showed the picture to friends, co-workers, the police and finally Kodak. No one could explain it but Kodak asked permission to use it in an advertisement offering anyone who solved the mystery a lifelong supply of free film. No one had the solution. Tampering was ruled out as well after the negative was examined and proved not to be a double-exposure or some other image manipulation.
That same year, in Woomera, Australia, England began launching its new “Blue Streak Rockets.” During one of the launches, a strange event occurred. One of the technicians, while following launch preparations on a monitor, noticed two tall men in white spacesuits close to the launch tower. The countdown was immediately stopped and security searched the entire area but the two mystery figures were never found.
The Australian press, however, had recently published Jim Templeton’s photo of “The Cumbrian Spaceman,” the Australian technician had seen it, recognized a dramatic similarity and commented that “he looks like the boys I saw on the monitor.”
Interestingly, the Blue Streak Rockets being launched in Australia, where the two mystery spacemen were seen,were originally manufactured at a facility on Carlisle-Newcastle road back in England — in the immediate neighborhood of the Burgh Marsh where Jim Templeton had first unknowingly photographed “The Cumbrian Spaceman.”
While some people dismissed the photo as a fake, a few weeks after Jim’s picture was taken, two men in dark suits visited Mr. Templeton at work, claimed they were with “Her Majesty’s government” (but refused to show verifying credentials) and asked him to take them to the exact spot where the photograph was taken. Upon arriving at the original Burgh Marsh site, one of the men asked “And that’s where you saw the man?” “I didn’t SEE any man,” answered Jim. With that, the two men left immediately leaving Jim Templeton to walk the five miles back to his station house with more questions but no answers.

(Source: UFOs: The Secret History by Michael Hesemann)
via www.geocities.com

On Sunday, May 24, 1964, English fireman Jim Templeton, of the Cumbrian Fire Service, in Carlisle, Cumberland, took his wife and five-year-old daughter Elizabeth on a picnic. He selected a nearby popular nature resort called the Burgh Marsh.

That day Jim noticed a feel of “electricity” in the air similar to that felt before a thunderstorm. Normally, sheep and cows would be grazing throughout the large meadow but he noticed they were all clustered together at the far end of the field as though fearful of something.

Aside from the three of them, the only other people in sight that day were two elderly women in a car about 400 yards away from their picnic spot. �When Elizabeth had gathered some flowers, Jim took the above photo of his smiling daughter.

Several days later, when Jim picked his film up from the local drugstore, the owner said “It’s a shame. Someone just ran into your best picture.” �”That’s impossible,” said Jim. “No one was there that afternoon.” However, upon inspection, one photo of his daughter clearly revealed a tall figure standing a short distance behind the five-year-old wearing what appears to be a white space suit and helmet.

Jim showed the picture to friends, co-workers, the police and finally Kodak. No one could explain it but Kodak asked permission to use it in an advertisement offering anyone who solved the mystery a lifelong supply of free film. No one had the solution. Tampering was ruled out as well after the negative was examined and proved not to be a double-exposure or some other image manipulation.

That same year, in Woomera, Australia, England began launching its new “Blue Streak Rockets.” During one of the launches, a strange event occurred. One of the technicians, while following launch preparations on a monitor, noticed two tall men in white spacesuits close to the launch tower. The countdown was immediately stopped and security searched the entire area but the two mystery figures were never found.

The Australian press, however, had recently published Jim Templeton’s photo of “The Cumbrian Spaceman,” the Australian technician had seen it, recognized a dramatic similarity and commented that “he looks like the boys I saw on the monitor.”

Interestingly, the Blue Streak Rockets being launched in Australia, where the two mystery spacemen were seen,were originally manufactured at a facility on Carlisle-Newcastle road back in England — in the immediate neighborhood of the Burgh Marsh where Jim Templeton had first unknowingly photographed “The Cumbrian Spaceman.”

While some people dismissed the photo as a fake, a few weeks after Jim’s picture was taken, two men in dark suits visited Mr. Templeton at work, claimed they were with “Her Majesty’s government” (but refused to show verifying credentials) and asked him to take them to the exact spot where the photograph was taken. Upon arriving at the original Burgh Marsh site, one of the men asked “And that’s where you saw the man?” “I didn’t SEE any man,” answered Jim. With that, the two men left immediately leaving Jim Templeton to walk the five miles back to his station house with more questions but no answers.

(Source: UFOs: The Secret History by Michael Hesemann)

via www.geocities.com

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joan crawford’s home, brentwood, CA via www.image-archeology.comjoan crawford’s home, brentwood, CA via www.image-archeology.com

joan crawford’s home, brentwood, CA via www.image-archeology.com

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Farmer’s Market Los Angeles, CA via www.image-archeology.comFarmer’s Market Los Angeles, CA via www.image-archeology.com

Farmer’s Market Los Angeles, CA via www.image-archeology.com

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atherdiscretion:Dali
(with models wearing Paco Rabanne)

Salvador Dali called Rabanne “Spain’s second genius”. From the book ‘Paco Rabanne’ by Lydia Kamitisis. http://www.flickr.com/photos/27032340@N00/542608706/atherdiscretion:Dali
(with models wearing Paco Rabanne)

Salvador Dali called Rabanne “Spain’s second genius”. From the book ‘Paco Rabanne’ by Lydia Kamitisis. http://www.flickr.com/photos/27032340@N00/542608706/

atherdiscretion:Dali

(with models wearing Paco Rabanne)

Salvador Dali called Rabanne “Spain’s second genius”.
From the book ‘Paco Rabanne’ by Lydia Kamitisis. http://www.flickr.com/photos/27032340@N00/542608706/

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vruz:

ayse:
The U.S. government was ostensibly wary of the emotions of grief and anger that could be unleashed in Japan as a result of the circulation of images of the destroyed city; it was probably just as concerned to keep the physical effects of its new and terrible weapon a secret. But this suppression of visual evidence served a third purpose: it helped, both in Japan and back home in America, to inhibit any questioning of the decision to use the bomb in the first place. (“Hiroshima: The Last Photographs,” via Design Observer)
vruz:

ayse:
The U.S. government was ostensibly wary of the emotions of grief and anger that could be unleashed in Japan as a result of the circulation of images of the destroyed city; it was probably just as concerned to keep the physical effects of its new and terrible weapon a secret. But this suppression of visual evidence served a third purpose: it helped, both in Japan and back home in America, to inhibit any questioning of the decision to use the bomb in the first place. (“Hiroshima: The Last Photographs,” via Design Observer)

vruz:

ayse:

The U.S. government was ostensibly wary of the emotions of grief and anger that could be unleashed in Japan as a result of the circulation of images of the destroyed city; it was probably just as concerned to keep the physical effects of its new and terrible weapon a secret. But this suppression of visual evidence served a third purpose: it helped, both in Japan and back home in America, to inhibit any questioning of the decision to use the bomb in the first place. (“Hiroshima: The Last Photographs,” via Design Observer)
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booby4649:panam.pngbooby4649:panam.png
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Nan GoldinNan Goldin

Nan Goldin

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ryan mcginleyryan mcginley

ryan mcginley

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kate moss by ryan mcginley (‘07) via www.tinyvices.comkate moss by ryan mcginley (‘07) via www.tinyvices.com

kate moss by ryan mcginley (‘07) via www.tinyvices.com

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nevver:Polanoidnevver:Polanoid
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